History and Art Essay Example | Topics and Well Written Essays - 750 words

History and Art - Essay ExampleWith early(a) major concerns much(prenominal) as economic crisis, war between nations, and population growth, who would pay immediate notice to the fact that bed the aesthetic beauty of an art piece, a battle is being fought against sexism and racism for the sake of the underrepresented artists? While it whitethorn be too delicate an issue to dwell on surface as to draw human beings attention on a larger scale, strong advocates of gender and racial equality like the insurgent Girls, as they call themselves, apparently, could not but admit silence is shame and argue You dont have to have a penis to be a genius (Guerrilla Girls 202). Most of us whitethorn claim to possess different perspectives on the matter and plainly express that besides the problematic neighborly and cultural structure which basically governs the manner by which inequality prevails among sexes and feeds, there are other deeper troubles that be a more adequate focus. However, o ur attitude of ignoring the issue that merely about ten percent of museums or galleries consist of art exhibitions by women and artists of color can be held accountable for the existence of all other chief worries that fail to be attended to in proper terms due to insights and ways of sustenance that maintain their racist and patriarchal nature. As long as there lives lack of empowerment for women and non-whites, it is obvious that equilibrium and harmony would not settle right where they ought to be unless a balance is struck someplace for a significant realization that in professing to improve a nation, both sexes regardless of race must come in front to execute equal control of change and progress. Upon thorough tryout of the article, I suppose this is the ultimate goal that sustains the principal reason of the Guerrilla Girls for continuing to be the sense of right and wrong of the art world (203). I admire the Guerrilla Girls for their feminist and anti-racist stance since the 80s especially because despite the gorilla masks they wear for anonymity and the rather annoying taunting style of protest for the main cause, they demonstrate an wrong approach of hurling insults at prominent sexist and racist figures alike. Having waved their banner with jest-filled pronouncements of deviation from what they perceive as sickening norms of injustice within race and gender, such female organization serves as a level of innovation to radical feminist groups whose overly serious actions on meeting similar ends cost lives and liberty to the point of dormancy. This is widely evident via the controversial works which earned them huge critique via statements and efforts as When racial discrimination & Sexism Are No Longer Fashionable, What Will Your Art Collection Be Worth? and the gradual rendering of the Whitney Museum Biennials which used to practise racial and sexual exclusion (204). By injecting a concept of provocative temper into ideals, the Guerrilla Gi rls manage to have weaved an object of interest to which art supporters become naturally drawn. Among the recent fruits of their drive I believe was Anya Kivarkis, the recipient of the Sienna Gallery Emerging Artist Award in 2007 for creations like trick Spot, Neo-Palatial Objects of Virtue and Vice, and Extreme Beauty. I feel that her projects reflect how the political compete of the Guerrilla Girls has truly paid off for though female, her expertise in the field of